Tag Archives: resistance

Corporate vs. Conference: Jesse Dee’s You Suck at PowerPoint

Jesse Dee’s “You Suck at PowerPoint” is one of the most viewed presentations on Slideshare with over 1 million views.

In his presentation, Jesse lays down the five biggest mistakes PowerPoint users make and provides some fixes for these problems. Jesse Dee’s 5 mistakes are:

  1. Too much information, or what Garr Reynolds refers to as a slideument.
  2. Not enough visuals, or text-driven visuals decrease retention, not increase it.
  3. Horrible quality, or in a age of abundance and design, audiences no longer respond to clip art and comic sans.
  4. Visual vomit, or once you have visuals, you must design them for maximum effectiveness.
  5. Lack of prep, or the number one reason why users rely on bullets and templates is because of a lack of content development and rehearsal time.

Because of its popularity and in your face honesty about the misuse of PowerPoint by individuals and corporations alike, the presentation often faces a bit of resistance and backlash. Today, a response to Jesse Dee’s presentation was posted on Slideshare:

The presentation, by design firm Stinson Design, calls attention to several of Dee’s suggestions that Stinson Design believes just won’t work for corporate presenters. The deck makes a distinction between corporate and conference presenters based on the level of control one type of presenter has than another does not. Conference presenters, according to the deck “have control on their content and can decide to present minimal amounts of data” (Source). In contrast, corporate presenters are limited because they must present dense amounts of information and data. The distinction is unclear to me because as a conference attendee, I’ve seen conference presenters display dense amounts of information and data (unfortunately, mostly using bullet points and poorly designed data display), and as a presenter, I was restricted by time, audience type, and subject matter. As someone who has watched four years of “corporate” business pitches, I’ve also seen dense data and complex financial information be presented in a cinematic way that still shows the investor that the presenter is knowledgeable and able to communicate the complex using simplicity.

In the deck, several challenges corporate presenters face in using the cinematic method of presentation design are brought to light. However, instead of looking at these challenges as reasons to abandon the universal principles of design used by 21st century presenters, let’s look at some of these challenges as opportunities. In every instance, presenting well is a challenge; it’s all about being up to the challenge!

Challenge #1: Cutting content is not always possible because corporate presenters have A LOT  of information to communicate

Jesse Dee provides a reasonable solution for this. Use one slide for each piece of content, data, and information. Stinson believes that the amount of information that needs to be presented makes this solution impossible. However, as instructional designers and teachers have learned, the working memory is a finite container (Source). It’s working memory that we are addressing when presenting information to others, and that part of our minds can only retain so much information before information begins to flow over the top of that container and out of our minds. As Julie Dirksen points out, “You can keep handing material to your learners, but you can’t make them carry it around” (Source). So, we must focus as presenters on what’s really necessary; we must be ruthless editors and only include what’s necessary on a set of slides. Similarly, we must understand that slides are not always necessary. A few days ago, I shared this tongue in cheek example of a PowerPoint version of The Gettysburg Address. The idea Lincoln was communicating was complex, controversial, and challenging. He uses ingenuity, the brevity of words, and pathos to communicate this complex idea to his audience in a way that has resonated for hundreds of years.

But, this doesn’t mean that we are sacrificing information for design, not at all. Your audiences can easily (actually much more easily than on a slide) read through dense amounts of information on a document (and that document can be designed for maximum readability, flow, and retention) that you hand out as an accompaniment to your slides, which are not meant to be containers of your information, but an enhancement of your content. This is not a “luxury” as the deck claims. It is simply good old-fashioned troubleshooting. It also helps keep the presentation of content relevant to the audience. Despite what we tell ourselves, our audiences don’t want all of the information on a slide (even if they are conditioned to this). Subconsciously, the mind wants to be able to easily and clearly make sense of information. This is best accomplished by breaking up dense information into smaller chunks.

Challenge #2: It’s easier for a conference presenter to find imagery than a corporate presenter because corporate presenters need niche-specific images

I want to address this challenge very simply. It is not easy to find strong imagery–for anyone. The process of finding and choosing strong images requires time, ingenuity, and at times metaphorical thinking. I sometimes spend hours looking for one image, only to have to revise my approach because I am restricted to commercially-available images only (which is the same challenge corporate presenters face). On this blog, I’ve shared several ways to search through compfight.com, which is one of the best resources for free images available to corporate folks. Another option is the use of commercially-available iconography, such as those found on The Noun Project.

Challenge #3: Custom fonts are great but they are not so great for sharing a presentation with others. Similarly, standard fonts are not really that bad as long as the material is clear/readable

I have to agree with the creators of the deck that a standard font is not really THAT bad when it comes to design, and if one has to use a font like Arial, that’s at least better than using comic sans or herculenum. However, what makes a standard font problematic is that just like standard stock imagery, your audience is desensitized to it. This is not to say that I believe one must use a custom font (many of which are free), but using a typeface that connects to your audience, message, and theme can help set your message apart from others in your audience’s mind. Presentation designer Christin Upshaw puts the choice of font quite well:

“[U]sing just a basic font that EVERYONE has (Arial, Tahoma, etc.) is absolutely the right course of action. That doesn’t mean your presentation has to have bad design, it just means the font can’t be something you purchased. You can still make it look great.”

So, what do you do if your client does not have a font installed on his or her computer? If the license allows distribution, give them the font. Even better, export your work as a pdf (which is how many Slideshare users, including Stinson Design, upload their work) and distribute a static, unchanging, and well-designed file to your attendees.

Challenge #4: PowerPoint is still most often used, so it’s the best way to create your work and distribute it to others

Yes, PowerPoint is still the standard, but what’s awesome about tools like Slide Rocket, Google Docs, and Keynote is that files can be converted to PowerPoint (Keynote actually opens PowerPoint files..something I doubt Microsoft will ever add to PowerPoint) and shared with your audience. Neat, right?

Untitled.001

So, what’s your take on the corporate vs. conference style of presenting? Are these really unsurmountable challenges?

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Visual Thinking, an undeniable reality

After much deliberation and anxiety about overloading Slideshare.net with yet another presentation about presentation design, I’ve debuted by deck for March, Simple Design:

My decision to share this deck with others was difficult. I yearn for new conversations in the field of presentation design and visual communication and I want to be a part of these new conversations. However, I want to share something that is a stronger example of design with users than my previous deck on design, Tweak Your Slides.

The subject of visual thinking and cinematic visual aids is inevitable as we move further and further towards a society that yearns to connect with experience/brand/individual beyond the textual. In class, we devote a significant amount of time to designing a visual story, but more than this, we consider how inherent visuals have become in the conveying of our ideas and brands. Outside of class, I spend my time defending the post-clip art, post-1987 PowerPoint approach to presentation design against what I can only classify as a lizard brain-driven anxiety that comes with doing something different or non-traditional. Many of my colleagues accept how I approach teaching and see that it works, but cannot believe it could work outside of the vacuum of “fluffy” subjects like public speaking (this is of course not true in any respect). Alex Rister discussed this resistance on her blog, and lists this as one reason why this approach “won’t work” we often hear. But, then there are times when the visual thinking bug takes hold. One of our colleagues created a dynamic and immersive GoTo training complete with zombies and sound effects, and this month, super student Chris Martignago completed his month’s work of homework using visual thinking:

chris.001

Assigning reading homework is the bane of my existence--Resonate is an awesome book, but forcing students to read it means some of its impact is lost in the miasma of routine and compulsory action. Chris's solution, which was to make the outline something immersive and kinesthetic is brilliant!

Assigning reading homework is the bane of my existence–Resonate is an awesome book, but forcing students to read it means some of its impact is lost in the miasma of routine and compulsory action. Chris’s solution, which was to make the outline something immersive and kinesthetic, is brilliant!

In the past few weeks, several new decks focused on the topic of visual thinking have debuted on Slideshare. The first I’ll share with you today is Duarte Design’s #IllustraTED, which is a project developed by Duarte Design that gathers amazing illustrators and artists together to visualize and draw out some of this year’s talks:

(My favorite of course is Andrew McAfee’s talk on scifi and jobs.)

I also want to share with you two decks on visual storytelling and marketing that really give us a glimpse into where visual communication can take us in the future.  The first, created by Column Five Media, “Visual Content Marketing: Capture and Engage your Audience,” is an impeccably organized presentation that blends the essential ingredients–text, color, shape, layout, line, texture, and image–to communicate a core idea–we consume, communicate through, and are engaged by visuals, but succeeding with this in mind is not just about slapping a picture on a site and calling it a day.

The second deck, “Instabrand: The Rise of Visual Storytelling in a Content Marketing World,” an e-book by Christian Adams, isolates the same six communication media as the previous deck (photos, infographics, memes, videos, comics, visual note-taking), but focuses less on the how and more on the why this has happened and what the future will hold. This deck works less as a stand alone than Column Five’s, but I found the exposure to future forms of visual marketing/visual communication to be very enlightening.

What do you think? Do we still have room to grow this conversation? Have we said all there is to say about visual communication? If so, why is there still so much resistance?

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